Visually, audiences are able to accept almost anything, no matter how avant garde, but in terms of film music, I can’t put something in front of them that’s light years ahead and expect them to accept it.
I’m in pretty good touch with the directors who hire me and I can sense when I am being abandoned or they don’t like things. I can sense the dramas. I don’t tend to work with weak directors. They can’t make up their minds, they go this way, they go that way, they are incoherent. I like to work with directors with strong minds, who know what story they are telling and stick by it.
+1. - Compositeur .org - Forum des Compositeurs : Musique et Composition
I’m in pretty good touch with the directors who hire me and I can sense when I am being abandoned or they don’t like things. I can sense the dramas. I don’t tend to work with weak directors. They can’t make up their minds, they go this way, they go that way, they are incoherent. I like to work with directors with strong minds, who know what story they are telling and stick by it.
Jim was worried from the outset by information overload. If your eyes are constantly hitting new beats of information and not catching it all, it’s going to take two viewings to absorb the whole the movie.
C'est un peu là le problème, on peut en rire
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Ou rester un peu perplexe - Compositeur .org - Forum des Compositeurs : Musique et Composition
C'est comme l'emballage du lait, ça doit être bleu ou blanc, et puis les chips à l'ancienne, on les met pas dans de l'alu mais dans du papier un peu kraft... C'est du même ordre !
Visually, audiences are able to accept almost anything, no matter how avant garde, but in terms of film music, I can’t put something in front of them that’s light years ahead and expect them to accept it.
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